 Artist: Gangsta Pat: mp3 download Genre(s): Rap: Hip-Hop Gangsta Pat's discography:  Greatest Hits (His Deadliest Verses) Year: 2007 Tracks: 15  Deadly Verses Year: 2006 Tracks: 10 One of the number one Memphis rappers to make the major-label jump, Gangsta Pat never attained the come or success of young man Memphis pioneers Three 6 Mafia and Eightball & MJG, til now he noneffervescent remains notable for his trailblazing. Pat's career began promisingly when Atlantic gestural him at the first light of the gangsta rap earned pass average and released #1 Suspect (1991) as well as two nonessential singles, "I'm tha Gangsta" and "Gangsta's Need Love 2." Like most of Atlantic's early rap releases from the time, Pat's debut made small impact, cursorily sledding out of print and going the rapper without a transcription contract ahead long afterward. Pat returned to the metro the adjacent year with Wrap Records, a transitory indie label distributed by Ichiban. Wrap released deuce Pat albums, All About Comin' Up (1992) and Sex, Money & Murder (1994), as well as deuce several singles, "Gangsta Boogie" and "That Type of Gangsta." Once once again, Pat base of operations small winner beyond the Atlanta-Memphis axis and hence packed his bags, moving to Power Records for Virulent Verses (1995) and Murderous Lifestyle (1997). These 2 albums showcased a more introspective and mature dash, as Pat sped up his flow à la Bone and darkened his themes à la Three 6 Mafia. Regardless, disdain the cult following he began to earn with these two extremely regarded albums, he couldn't render the financial support into national gross tax revenue, and he touched on to til now some other pronounce, Red Rum. He remained thither for quite a while, cathartic a string of albums commencement with The Story of My Life (1997) that tended to emulate the trends of their various eras. Perhaps as a supplication for much-needed promotional substantial, Pat targeted Three 6 Mafia on his 1999 record record album, Tear Yo Club Down, with a pointed dis track. |
Wednesday, 10 September 2008
Mp3 music: Gangsta Pat
Thursday, 21 August 2008
Mp3 music: Lee Scratch Perry
 Artist: Lee Scratch Perry: mp3 download Genre(s): Reggae Ethnic Dance Electronic Lee Scratch Perry's discography:  Black Art (Single) Year: 2001 Tracks: 4  Battle of Armagideon (Millionaire Liquidator) Year: 2001 Tracks: 11  Techno Party Year: 2000 Tracks: 15  Lee Perry Meets The Mad Professor Chapter Two Year: 2000 Tracks: 10  Lee Perry Meets The Mad Professor Chapter One Year: 2000 Tracks: 9  Heart of the Dragon Year: 2000 Tracks: 12  Wizdom 1971-1975 Year: 1999 Tracks: 19  Excaliburman Year: 1999 Tracks: 9  Satan's Dub Year: 1998 Tracks: 12  Dub Fire Year: 1998 Tracks: 12  Shocks of Mighty 1969-74 Year: 1997 Tracks: 17  Arkology, Reel III Year: 1997 Tracks: 17  Arkology, Reel I Year: 1997 Tracks: 18  Arkology Reel 3 Year: 1997 Tracks: 17  Arkology Reel 2 Year: 1997 Tracks: 17  Arkology Reel 1 Year: 1997 Tracks: 18  Who Put the Voodoo 'pon Reggae Year: 1996 Tracks: 10  Experryments at the Grassroots of Dub Year: 1996 Tracks: 9  Presenting Dub Year: 1995 Tracks: 15  Experryments At The Grass Root Year: 1995 Tracks: 9  Black Ark Experryments Year: 1995 Tracks: 9  Guitar Boogie Dub Year: 1994 Tracks: 10  Black Ark in Dub Year: 1993 Tracks: 14  The Upsetter and the Beat Year: 1992 Tracks: 12  Chicken Scratch Year: 1991 Tracks: 12  Mystic Warrior and Mystic Warrior Dub Year: 1989 Tracks: 16  Scratch Attack Year: 1988 Tracks: 22  Reggae Greats Year: 1984 Tracks: 10  Revolution Dub Year: 1975 Tracks: 9  Musical Bones Year: 1975 Tracks: 15  Soul Fire Year: Tracks: 13  Some of the best Year: Tracks: 13  Arkology, Reel II Year: Tracks: 17 Some promise him a genius, others claim he's certifiably harebrained, a lunatic. Truth is, he's both, merely more than importantly, Lee Perry is a lofty figure in reggae -- a manufacturing business, mixer, and songwriter humankind Health Organization, along with King Tubby, helped form the sound of horse and made reggae music such a powerful component part of the pop euphony existence. Along with producing some of the to the highest degree influential acts of the Apostles (Bob Marley & the Wailers and the Congos to identify only two) in reggae history, Perry's approach to output and knight mix was breathtakingly modern and brazen -- no one else sounds like him -- and patch many call that King Tubby invented dub, in that location are just as many world Health Organization would argue that no one experimented with it or took it farther than did Lee Perry. Born in the rural Jamaican hamlet of St. Mary's in 1936, Perry began his phantasmagorical musical odyssey in the former '50s, working with ska man Prince Buster merchandising records for Clement "Coxsone" Dodd's Downbeat Sound System. Called "Little" Perry because of his diminutive stature (Perry stands 4'11"), he was presently producing and recording for Dodd at the centerfield of the Jamaican medicine industry, Studio One. After a falling forbidden with Dodd (throughout his vocation, Perry has a propensity to burn his bridges after he stopped up working with someone), Perry went to form at Wirl Records with Joe Gibbs. Perry and Gibbs never really power saw eye to heart on anything, and in 1968, Perry left to descriptor his own label, called Upsetter. Not surprisingly, Perry's number one release on Upsetter was a single entitled "People Funny Boy," which was a aim onrush upon Gibbs. What is important around the record is that, along with marketing super well in Jamaica, it was the number one Jamaican pop record to manipulation the loping, faineant, bass-driven beat that would presently become identified as the reggae "riddim" and signal the shift from the hyperkinetically offbeat ska to the pulsing, throbbing languor of "roots" reggae. From this stop through and through the 1970s, Perry released an astounding amount of money of exercise under his call and numerous, extremely creative pseudonyms: Jah Lion, Pipecock Jakxon, Super Ape, the Upsetter, and his most famous nom de plume, Scratch. Many of the singles released during this period were important Jamaican (and U.K.) hits, instrumental tracks like "The Return of Django," "Clint Eastwood," and "The Vampire," which cemented Perry's growth reputation as a major violence in reggae music. Becoming more and more than horrific in his pronouncements and personal optic aspect (when it comes to clothing, only Sun Ra canful hold a candle to Perry's thrift-store outfits), Perry and his remarkable house band, as well named the Upsetters, worked with precisely around every performer in Jamaica. It was in the former '70s subsequently on earshot some of King Tubby's early nickname experiments that Perry besides became concerned in this form of aural use of goods and services. He quickly released a mind-boggling number of dub releases and eventually, in a fit of creative independence, opened his have studio, Black Ark. It was at Black Ark that Perry recorded and produced some of the early, germinal Bob Marley tracks. Using the Upsetters rhythm incision of bassist Aston "Familyman" Barrett and his drummer buddy Carlton Barrett, Perry guided the Wailers through some of their finest moments, recording such powerful songs as "Duppy Conqueror" and "Little Axe." The good multiplication, however, were not long, especially after Perry, unbeknown to Marley and company, sold the tapes to Trojan Records and pocketed the john Cash. Island Records head Chris Blackwell cursorily stirred in and gestural the Wailers to an exclusive contract, departure Perry with virtually zip. Perry accused Blackwell (a white Englishman) of cultural imperialism and Marley of existence an accomplice. For days, Perry referred to Blackwell as a vampire, and accused Marley of having curried favor with politicians in order to make a fast dollar. These setbacks did not stem turn the tide of Perry releases, be they of new substantial or one of a apparently endless compendium of anthologies. Perry was besides expanding his range of influence, working with the Clash, world Health Organization were vast Perry fans, having covered the Perry-produced adaptation of Junior Murvin's classical "Constabulary and Thieves." Perry was brought in to produce some tracks for the Clash, merely the results were remixed more to the band's liking. All this hard process was wreaking havoc with Perry's already fragile mental state, leading to a crack-up. The stories of his mental instability were exacerbated by tales of massive centre abuse (despite his public stance against all drugs except sacramental marijuana), which reportedly included regular consumption of cocaine and LSD; one potentially apocryphal history level had Perry imbibition bottles of tape head-cleaning fluid. But these stories, as with much encompassing Perry, obscure fact and fable. One storey that was reliable was that Black Ark, and everything in it, burned to the ground. Perry claims bad wiring as the perpetrator, merely the more familiar and usually recognized story is that Perry burned the studio low in a fit of acid-inspired hydrophobia, convinced that Satan had made Black Ark his home. Whatever the casing, the internet site of Perry's superlative moments as a producer had been reduced to (and cadaver) a pile of rubble and ash. Soon afterwards the fire that consumed Black Ark, Perry, more and more fed up with the music business in Jamaica (which by all accounts is corruption personified), distinct to leave Jamaica. Scorn the considerable lows in his career, Perry remained busy and, so it seemed, sanely felicitous. Although he was less in demand as a producer, his solo work remained very firm, and his continuing influence could be felt up in the present-day nickname music of the Mad Professor (another quondam Perry protégé that Perry went on to treat with condescension) and some post-rave electronica music. Even the Beastie Boys gave Perry his props in a verse on their expiration Ominous Communication and later added him to the bill of performers at a concert for Tibetan freedom. The human being called Scratch lives in Switzerland and continues to cook up a psychedelic brew of music that, along with being in advance of its clip, will warp your head, in a just path, presumptuous that you're up to the challenge. In 1997, Island (the mark started by the vampire Chris Blackwell) released Arkology, a three-disc compiling of Perry recordings. A word or deuce around Perry's discography: it's massive, unmanageable, and although there ar mess of great records, there's nigh as much turd. The lack of timbre controller has slight to do with Perry, but quite with sleazebags nerve-wracking to rent cancelled his legacy. After King Tubby's mangle in 1989, his studio was pillaged, and many of Perry's tapes were stolen. Some of these recordings get shown up on ailing down, and expensive, anthologies. Releases on Trojan, Rounder's reggae subsidiary company label Heartbeat, and Island (and its subsidiary label Mango) ar by and large first-class and ar the best property to set forth building your RPLC214% assemblage. Smaller labels like Seven Leaves and the French Lagoon Records (which seems like a semi-legit moonshine label) ar hit-and-miss propositions, and those inclined to check out recordings on these labels ar bucked up to continue with circumspection. And avoid releases on the Rohit label, if but for their crappy production and loud, grade-Z publicity. Also, as with King Tubby recordings, purchasing a Perry handout way you power be buying a track record he produced, simply not needfully performs on. That aforesaid, felicitous hunting and hearing. |
Download Blind Willie Johnson mp3
Tuesday, 12 August 2008
Wednesday, 6 August 2008
Monday, 23 June 2008
Ringo Star
Artist: Ringo Star
Genre(s):
Rock & Roll
Discography:
The 4Th
Year: 1977
Tracks: 12
Ringo Starr, born Richard Starkey, was the drummer in the Beatles from 1962 to 1970 and thus one of the nigh celebrated musicians of the '60s. Though the least prominent member of the four, he grand himself as an occasional singer of good-natured material and as an histrion. Upon the group's split, Starr went solo with 2 freshness projects: the first base, an album called Hokey Journey, constitute him coating pre-rock standards, and the minute, Beaucoups of Blues, was a country medicine compendium.
Starr so scored Top Ten hits with 2 non-album singles, "It Don't Come Easy" in 1971 and "Back Off Boogaloo" in 1972. In 1973 he paired with producer Richard Perry and, with assist from the troika other ex-Beatles, made Ringo, which featured two issue i hits, "Snap" and "You're Sixteen." "Oh My My," a Top Ten hit, was too included. Almost as successful was the 1974 followup, Goodnight Vienna, which featured the hits "Only You" and "No No Song."
Starkey continued to outlet albums through and through 1981, though with diminishing success. His 1983 album Old Wave did not find a U.S. distributer. Starr was also distress from the excesses of his life-style, just by the former '80s he had cleaned up, and in 1989 he toured with his "All-Starr Band." In 1992, he signed to Private Music and released a new studio record album, Sentence Takes Time. Vertical Man, his low gear record album for Mercury, followed in 1998, as did a disk culled from his public presentation on the VH1 Storytellers series. Starr's low gear seasonal endeavour, I Wanna Be Santa Claus, appeared a class later. Two studio records appeared during the early 2000s: Ringorama from 2003 and Choose Love deuce long time later. In 2006 he made a guest appearing on Jerry Lee Lewis' album Last Man Standing and toured with another edition of his All-Starr Band, this time featuring Sheila E. and Edgar Winter. The 2007 release PBS Soundstage Live featured a show recorded two long time earlier in Chicago. Also released in 2007 was the definitive Photograph: The Very Best of Ringo Starr.
Life Garden
Monday, 16 June 2008
Familiar bow for 'Changeling'
Clint Eastwood pic will open Oct. 24
Borrowing a page from the successful 2003 release of "Mystic River," Universal will debut Clint Eastwood's latest movie, "Changeling," in limited release Oct. 24, followed by a wide expansion a week later on Oct. 31.
A similar fall release pattern -- allowing for reviews and word-of-mouth to pave the way for a broader rollout -- was utilized by Warners for "Mystic," which, like "Changeling," premiered at the Festival de Cannes.
"Mystic" opened Oct. 8, 2003, and played just 13 theaters its first weekend before expanding to 1,467 during its second weekend. Buoyed by six Oscar noms and two wins, it went on to gross $90.1 million domestically.
"Changeling," a Universal/Imagine production that Eastwood directed from a script by J. Michael Straczynski, also bowed to positive notices at Cannes. It stars Angelina Jolie in the true story of a single mom in 1920s Los Angeles whose son goes missing; when the police return her son to her, she insists they've found the wrong boy, and her case becomes a cause celebre.
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Wednesday, 4 June 2008
Christina Ricci - Ricci Embarrassed By Ghost Kiss
Actress CHRISTINA RICCI ranks having to kiss a ghost as the most embarrassing thing she's ever done.
The star appeared in the 1995 movie version of cartoon show Casper - and insists smooching the computer-generated spook was particularly daunting.
She tells MTV.com, "Kissing Casper was really embarrassing, because he was supposed to be see-through, so I had to make kissing faces, and I was 13, and I was so mortified. Oh that was terrible."
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